OF SUBSTANCE AND BEAUTY

Tags

adventure, cinematography, dvd, feminism, hunting, inspiration, Mongolia, movies, review

High in the Mongolian mountains, a girl name Aisholpan breaks a tradition centuries old. With the help of supportive parents, an especially patient and loving father, this thirteen-year-old girl demonstrates courage, diligence, and a character we can only hope our own children will emulate.

The dynamic cover of THE EAGLE HUNTRESS caught my eye at the library. Took it home, watched it, and was utterly entranced throughout. I next bought it and sent it to my sister, whose background is in political science, American government, and Asian studies. This documentary would appeal to her, due to her understanding of the social challenges Asian girls endure, its unique story, and the spectacular cinematography. The entire film is a masterpiece of filmmaking achieved under difficult environmental and financial circumstances.

Yes, it’s a documentary, (swallow that derisive yawn), but it’s more exciting and spellbinding than any action feature film I’ve seen in years. Today’s action/ adventure movies are overburdened by graphics. Audiences are becoming inured to the mayhem. Millions are spent on saturating/ bombarding the viewer, and yet none of them—and I’ve seen almost all of them—evoked the excitement of this story. There was no big money backing this work. No options for a second take. A drone, a crane and a few cameras and almost all of it done in one-shot filming. The landscape, action, storyline, all of it, is breath-catching in its beauty, simplicity, and most especially the bravery of a girl who would not give up on her dream.

Societies and cultures are crumbling, values such as honesty and integrity negated and ignored. This film soars above all the unpleasantness of our present failings, the vulgarity, apathy and overindulgence, illustrating the substance of honor and the determination to excel in the face of all opposition.

https://www.amazon.com/Eagle-Huntress-Otto-Bell/dp/B01MU34PJC/ref=sr_1_2?s=movies-tv&ie=UTF8&qid=1498466724&sr=1-2&keywords=the+eagle+huntress

 

M.L Rigdon (aka Julia Donner)

Follow on Twitter @RigdonML

Blog: https://historyfanforever.wordpress.com/

Website http://www.MLRigdon.com

 

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Wonder Women

Tags

Amazon, battle, film, legend, movies, myth, review, war

 

Confession time. I told a friend I would go with her to see Wonder Woman, fixed a time to go five days after its release, then couldn’t wait. That freaky theme music from Batman v Superman kept screaming inside my head. I love that wild electric cello sound, and anyway, when I like a film, I go see it twice. This one was just as fun the second time around—not an easy feat to keep me impressed twice the second time. The glaring problem of what happened to the German ship unloading soldiers to chase Steve in his downed plane continued to perplex, (probably edited out to save time), but everything else was so much fun, I blew it off. Or as some say, gave it the hand wave. For me, I was more interested in what was done differently.

At Cannes, Jessica Chastain made headlines when she censured the film industry for its treatment of women, consistently presenting women as secondary characters. I’ve always viewed it as keeping women in their place to act as the obligatory adjunct requisite for masculine enhancement. Not so in this flick, boys and girls. The men quickly learned how to follow the female leader, and what I loved was how it made them more, well, manly. Nothing turns any intelligent female off faster than male posturing. Men who have ego issues may get off on it, but women yawn. My favorite bit was when Steve (Chris Pine) hollers out in the middle of a skirmish where a desperate act is needed, “Shield, Diana!” Oye, my heart went pitty-pat, and you’ll have to see the movie to find out what that was all about. And perhaps I’m biased or ga-ga, but I’ve had such high hopes for Pine ever since The Finest Hours. I like the new Star Trek stuff, but he was so splendid as the self-effacing, courageous, and resolutely honorable Coast Guard hero.

Next difference—use of women over forty. Hollywood mogul types may need to sprinkle films (or cram them down our throats) with females meant for male menopause relief, but demographics have changed. When I look around in theaters today, there are often more silver-haired heads than younger generation types. When the Amazon warriors come charging on to the beach, the general in the lead is enough to make hardened soldiers think about a new strategy.

Robin Wright is superb. Nuf said.

Next comes the music portion. Many filmmakers think battering-ram music scores will cover up the fact that they’ve invested in a piece of schlock. I avoid films with rap music and not just because I’m not a fan. If a film requires that kind of loud, in-your-face score to help the pacing and lack of storyline, stay home and buy the music from the film. The only one I recall seeing where that enhanced the action was in the first Terminator. Its pulse-pounding, clanking metal score worked. In this version of Wonder Woman, I was surprised by the symphonic style, which enhanced the film and never distracted. Very clever but my favorite is still that electric cello and crazy drums theme introduced in Batman v Superman, which, to be sensible, could not have been used throughout.

The film is getting tons of good reviews and breaking records. You don’t need another content review. It’s the differences that made Wonder Woman more delightful for me. Maybe somebody in the LA portion of the industry will move beyond their tiny ego-centric mindsets to notice what the public already knows.

THE GREAT WALL

Tags

Asian, China, fantasy, films, Graphics, Matt Damon, movies, review, The Great Wall

The Great Wall

Comments have been made about a Caucasian taking part in a Chinese legend. The gist of the complaint questioned why a white guy is in the story at all. (Hello! Probably because the story is about a white guy, a thief and mercenary, who comes of age a bit late in life.) Matt Damon’s manner of understated acting is an added bonus in the fantasy-slash-action adventure film genre, where characters tend to gnaw every available inch of scenery. (Insert eye roll here.)

Another relief while watching was the judicious use of blood spatter. Typically, buckets of red are splashed everywhere. Injuries and dismemberments happened, but were quick and not gratuitously gruesome. (IMHO that’s a sign of poor screenwriting and direction. Can’t think of something original, so let’s throw some blood and gore at it. Yawn.)

China has the resources, dedication, and centuries of exquisite cultural artistry to create visual beauty. (Who can forget the magical bamboo forest scenes in Crouching Tiger, Hidden Dragon?) Asian films tend to overwhelm with their vast casting and equally massive production budgets. Sometimes it gets a bit much, but this film is a perfect example of controlled excess. American made fantasy and sci-fi films tend to compensate with over the top graphics. Sometimes it’s done well. For me, the best work in US productions are the Star Wars films. (I do not include Rogue One. The facial reconstruction at the end, and you know what I mean, was absolutely creepy!)

Keeping that in mind, some things can be overlooked and others can’t, such as blatantly sloppy production work. There is none of that silliness in The Great Wall. The costuming is gorgeous, lavish colors for the different military divisions in contrast to the utilitarian and coarse armor of the round-eyed mercenaries, which in subtext, illustrates the honorable character of the Chinese and the utter lack of elevated values in the white mercenaries. A nice touch, that.

In current fantasy filming, it often boils down to the graphics. The scenic design in this film was laid out on the sort of grand scale only Asian films are able to financially create. Large scale graphics require discipline and a monumental effort in teamwork, and this film did it well. Compare it to the childish and cheesy backgrounds in Gods of Egypt and the absolutely horrible mess of the chariot horse somehow landing up in the stadium seating and trampling the audience in the flimsy remake of Ben Hur.

There was only one weak point in the story and to explain it involves a major spoiler. It’s not worth the fuss since it comes near the end and doesn’t ruin the whole. Artistically, I came away satisfied and impressed, even encouraged. The protagonist followed through on the classic story arc of personal change. A nation’s resolve to protect itself, to sacrifice to save others, to stand with courage and determination in the face of impossible odds is a familiar theme in fantasy. This film brought it to life—showed the meaning of honor and integrity to oneself and others—attributes sadly absent in our present political climate and culture of films exemplifying antiheroes smashing up the scenery and crashing cars. The Great Wall gives us real heroes, men and women, Asian and Caucasian, who give all they have to protect others and do their duty, as our military does today—our last vestige of national honor. This film is a reminder that it still exists in some of us. I left refreshed.

JANE GOT A GUN

Tags

film, horses, New Mexico, review, western, WIP

JANE GOT A GUN

If you’re not into westerns, you might want to stop right here. But if you LUV the genre as I do, this might trip your trigger. The film did for me because of its authenticity. There wasn’t much to find wrong about its level of production. It’s a story of human behavior at its best and worst, and how the life choices we make are the best ones we can make at the time.

The story is about Jane Hammond (Natalie Portman), whose husband, Ham (Noah Emmerich), barely makes it home, shot in the back many times by the Bishop Gang, the baddies. After patching up hubby, Jane hides their daughter with a friend and heads out to find help, knowing that Bishop (Ewan McGregor), eerily evil and ruthless, is determined to kill her and her husband. The only man she trusts is Dan Frost (Joel Edgerton), former fiancé prior to the Civil War. The overt theme is survival. The subplots are Dan’s ongoing love/hate thing for Jane, and why Jane married a criminal and gives him relentless, unbending devotion. To paraphrase Jane’s explanation to Dan, not everything in life is all about Dan. Nor is it what appears on the surface. Everybody has a sunshine tale to tell but hers doesn’t/didn’t have much sunshine. For women in the West, there was very little “sunshine” to be had. And that’s one of the two nitpicks I have with the film.

Look at the photos of women of that time period. This film takes place in 1871 New Mexico Territory, hardscrabble indeed. Natalie looks too dang good in the face. She’s lived through every kind of hell and yet looks young. Women in their twenties looked thirty years older. But there were some nice touches, like the blue canning jars and sturdy looking clothes.

My other gripe, and it’s a tiny one, is the condition of the horses after being loped for miles. Their coats would have been wet, perhaps not lathered, but definitely some sign of distance carrying weight. I can’t nag about this much, because it shows that the film had a caring wrangler. The horses were beautifully trained, and like animals used in film, knowledgeable of the terminology from action to cut, unflinching if a clapper is used. When I lived in LA, many of my neighbors were stunt riders. Their horses were in a different class from riding mounts with a calm yet alert demeanor. I digressed.

So I got a little oyfgehaytert when I saw the trailers for this flick. Had to see it before it left the theaters and it didn’t disappoint. It’s made me yearn to haul out the western romance I started to convert to digital length. But I’ve got four WIPs to finish. Mind you, I’m not griping. This film reminded me that I don’t have to start a fire every morning, pump water for the house, livestock and garden, clean clothes with Fels Naptha on a scrub board, wring the neck, pluck and singe the chicken before roasting it in a range that needs the right amount and kind of wood to create the proper temperature. Yeah, I’ve got nothing to whine about. Certainly not this movie. I’ll be buying it when it’s released.

Writing bud, Judi Lynn has a new release, Cooking Up Trouble, now available on Amazon for presale:

Check it out: http://www.amazon.com/Cooking-Up-Trouble-Mill-Pond-ebook/dp/B013NI5G68/ref=sr_1_1?s=books&ie=UTF8&qid=1454985355&sr=1-1&keywords=judi+lynn

M.L Rigdon (aka Julia Donner)

Follow on Twitter @RigdonML

Website http://www.MLRigdon.com

https://www.facebook.com/pages/Julia-Donner