3 Films in 3 Days


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Ok, I admit it. I’m a movie junkie. There’s very little that I don’t like when it comes to films. I wish I could watch horror flicks, but the chicken-factor in me is off the chart in a darkened room. Out in the light or in real life, not so much. In real-time, it takes a lot to shake me up. This means I miss out on a lot of good stuff. Years after Jaws came out, I got up the courage to watch it and loved its humor. But I’ve strayed a bit. Back to the 3 day event.

Monday, The Mountain Between Us. Hadn’t planned to see this flick but went with a group of once-a-week movie buddies, and so glad I did. Some would say it was another bi-racial hook-up thing, but I didn’t get that anywhere in the story. Excellent script and screenplay. Superb and subtle acting. Magnificent scenic views of the remote majesty of winter-clad mountains in contrast to a profoundly intimate struggle for survival. This was a study in interior and exterior battles—two gifted people who are forced to change everything they thought they knew about themselves, to endure in the face of impossible odds. This film was so much more that I expected, and it has a wonderful dog!

Tuesday, Blade Runner 2049. Who hasn’t seen the original? Hold up your hands, I mean, hand. (I loved the book Do Androids Dream of Electric Sheep? by Philip Dick) There is no way to NOT contrast the former movie from this one. This version is more atmospheric, more artsy and stylish, but there is none of the personal investment in the story. I didn’t connect with anyone, nothing like the first one with its eerie tension and fear for the fate of the original Rachel. This second version has gorgeous art production and lighting but lacks  momentum. The slow pacing allows time to enjoy the brilliant artistry but gets a bit too slow in too many spots. The only character I could connect with was the police captain, Joshi, (Robin Wright), who balances her career, professional intentions, and an inappropriate attraction for her Blade Runner. Sykvia Hoeks “Luv” was scary but not as terrifying as Rutger Hauer’s relentless desperation to live. But in this one, the seasoned actor in Ford expressed volumes when he simply and brilliantly said, “Her eyes were green.” The unfortunate sountrack was repetitive, distracting and too loud in spots. Finally, certain aspects of the story were unnecessarily obscure and the ending unsatisfying.

Wednesday, Victoria & Abdul. We automatically expect fine acting in Brit films that are perfectly casted like this one is. No need to go there. Production-wise, the weird contrasts of the austerity and abundance of the Victorian/Edwardian eras are bluntly typified, especially the nasty racial-verses-aristocratic attitudes. Edward, eventual king, was accurately portrayed as the sleaze he was, absolutely no tribute to his amazing parents. Some have labeled this as another Mrs. Brown romance, but I didn’t see that. Victoria uses Abdul to uplift her loneliness, revive her flagging spirits, but she views him as a son. What mother wouldn’t with a schlub like Bertie for a first-born.

Ergo, my first pick would be The Mountain Between Us. Second comes Victoria & Abdul, and third, Blade Runner, which is really kind of sad since I’d had such hopes for it.

Feebies on Kindle:

Prophecy Denied (free 10-22 thru 10-24) Book One of the Seasons of Time fantasy:


The Rake and the Bishop’s Daughter (free 10-24 thru 10-28) historical regency


Newest Julia Donner release on November 1st, Avenue to Heaven, first book in the Westward Bound series about adventurous women heading west to realize their dreams. On pre-sale now:


M.L Rigdon (aka Julia Donner)

Follow on Twitter @RigdonML

Blog: https://historyfanforever.wordpress.com/

Website http://www.MLRigdon.com




#Amreading UNWIND…When Books are More Than a Story

When we are blessed with teachers with integrity and courage:

Finding Faeries

Years and years ago, after picking up a few books at the library, I discovered the author Neal Shusterman. I first read his Dark Fusion books and loved them.

Then I found Downsiders…

and became a Neal Shusterman fan. I searched the library for his books, reading all they had. Here are some… go find more here. Have I read all of his books? Nope. But I am working on it.

All of them are fantastic! Don’t forget Bruiser…or Scythe. Have you read them? WHY NOT?

When I came across Unwind…


Seriously. So many feels. So many thoughts. So many mind altering ideas.

Well, it’s the first in a series…so I set out to read the rest, but the rest hadn’t been written, so I set them aside because I WANT TO READ THEM ALL IN A ROW.

I have four…however, there is a fifth I have to buy…waiting…

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The Crazy Wonderfulness of #SonofaPitch

An example of how writers need to support one another:

Finding Faeries

Last week I participated in the writing event/contest Son of a Pitch. People submitted their entries, including their query and first page. This blog was a host for ten of them! Go #TeamRarity! I read and critiqued 51 entries. I read and critiqued I have no idea how many revisions. It took a long time. I enjoyed every moment.

Let’s talk for a moment about feedback. For Son of a Pitch, everyone gets some. Maybe one person dropped by your entry or five…but there was some. Better than none.

Aside: We, the feedback-givers, don’t have a set amount we have to critique. Some of the critiquers have more time to so this than others. Some people feel comfortable looking at certain categories or genres. We do the best we can.

We are leaving our opinions. Not directions. Not even answers. We comment, hoping one of those ideas will spark inspiration…

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Le Moulin du Roc, French Hotel Dating from the Seventeenth Century

How I imagine heaven, but with horses.

Charly W. Karl

This charming French country side hotel – Le Moulin du Roc, built on the site of a seventeenth century stone mill, has some marvelous gardens, pathways, footbridges, and romantic staircases, which seem like something taken out of a fairy tale.

Le Moulin du Roc

Le Moulin du Roc

Le Moulin du Roc

Le Moulin du Roc

Le Moulin du Roc

Le Moulin du Roc

Le Moulin du Roc

They’re so beautiful that they don’t seem real, and yet they are, and a good thing too, as they are one of the most important and attractive features of this hotel. It is located on the banks of the Dronne River, in Dordogne, France.

Web: Le Moulin Du Roc – Home

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In 1973, I visited the Northern Cheyenne Reservation in Lame Deer, MO, drawn there by a character in a story I was writing who was half Cheyenne. Forty years later, after endless rewrites and title changes, Avenue to Heaven is finished. Back then, I’d thought I’d done a lot of research but learned within moments of stepping inside the reservation trading post how phenomenally ignorant I was.

A lady behind the counter greeted me without words. Her stance was familiar from all I’d read about Native Ameican cultures. (A teacher at the grim parochial schools Indian children were forced to attend wrote of how disturbing it was to speak to a classroom of the tops of bowed heads.) I accepted that I was wicaśaśni, one of the takers, and a stranger on her land, and browsed, bought a lovely wristband, and mentioned that I loved the book on display, Cheyenne Memories by John Stand in Timber. She warmed a bit and pointed at a newspaper with a headline about the AIM movement at Wounded Knee, worry apparent in her subtle gesture.

I couldn’t stop myself from asking why the tribal council had allowed the harvesting of the surrounding hills. Trees had been completely scraped from the hillsides; the exposed red soil looked like a bloody wound. She answered that the government never asks. They come and take. That was when I discovered the vastness of my ignorance.

Indian nations were told they owned reservation lands but the fact is, they are leased, can be pillaged and left polluted, like the uranium mining on Navajo lands in WWII. The problem is that most Americans are too self-satisfied and bent on “affirmative bias” to accept reality, blissfully unwillng to acknowledge that what we’ve done to our native peoples is almost as heinous as the Nazi solution for Jews.

Fortunately, there are some who are gifted at getting the point across without stepping on ego-fragile toes. Wind River is a beautifully crafted film with satisfying twists at its end. It was a delight to see so many of my favorite Native American and Canadian actors in the cast, especially the delicious Gil Birmingham, the jovial snarkiness of Graham Greene, and always intriguing Tantoo Cardinal. Taylor Sheridan, who wrote the screenplay and directs, created a story to bring attention to missing Native American women—the TV series Longmire did an episode about forced sterilizations—and Sheridan gets his message across without sermonizing his theme. The winter setting is a perfect choice, bleak and beautiful, stark in its reality.

It is never too late for truth. We must jettison past romanticism of the West, look beyond the slop of government rhetoric and lies. If our leaders are culpable, so are we. The loathsome Andrew Jackson murdered the southeastern tribes with the Trail of Tears, and did it after the Cherokee helped him win in battle. His plan to eradicate Native Americans and steal everything they owned is alive and well today. The raping of the Indian cultures and lands goes on. The Northern Cheyenne have had to move legally to stop the Trump administration from coal mining on reservation land, adding to the travesty of a pipeline for fossil fuels we will no longer be using in the future. Makes no sense, so it must be political.

Sorry this was not an uplifting blog, but here is something that is. My books are always HEA. No release date yet and it’s is part of a Kindle Scout campaign.

(WARNING, you are approaching the shameless plug portion of this blogpost.)

Please click on the link below and vote in the blue box for Avenue to Heaven, a book dedicated to Marlane Sturm, who saw a need for her friends at Bear Creek and supplied it, not out of charity, but by the call of her faith.




Please visit my website: www.MLRigdon.com


Twitter: @RigdonML



Farewell My Love


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I saw Bullitt so long ago it was at a Southern California drive-in. I distinctly remember jamming my foot on imaginary brakes on the car’s floorboard throughout the car chase sequences. Baby Driver may put Bullitt to rest when it comes to breakneck driving but will never (be still my beating heart) remove my adoration for a Mustang GT. Alas, the stunt driving in in Baby Driver may have nudged Bullitt from its top spot.

Time to gladly eat my words. I’ve complained about films with distracting loud soundtracks, but Baby Driver makes it work in overdrive and—dare I say it—with synchronized perfection. Magnificent sound editing. Can’t see how any film could beat it come awards time. The only issue I had happened at the opening, the first bank robbery, when the robbers didn’t put masks on until they got to the bank door. That didn’t make sense with security cameras everywhere nowadays. The other issue I had was driving stolen cars to the meeting site after the robbery. That didn’t fit the slickness of these operators. Maybe it was some sort of statement about their arrogance and confidence, but it seemed sloppy to me.

I know other reviewers are raving about this flick as a “car chase action” film, but I have to take issue with that. I watched the entire movie seeing it as a beautifully written, exquisitely realized character-driven story enhanced by excellent direction. I decided to see it because of the marvelous cast and was not disappointed. The music, pacing and controlled violence will hopefully not distract from the cast’s superb ensemble work. The characters are clear-cut and diverse, ranging from the sweetness of youthful romance to the bizarrely sociopathic. The final topping on this delicious flick was the credits rolling to a fabulous rendition of Simon and Garfunkel’s Baby Driver.

The driving scenes brought back memories, things done that I’d never tell my mom about, (like burying the needle on the Hollywood Freeway in the middle of the night in a Mustang, of course), and made me long for the days of the gearshift on the floor. So, if you have one, slide it into fourth and go see this film.



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High in the Mongolian mountains, a girl name Aisholpan breaks a tradition centuries old. With the help of supportive parents, an especially patient and loving father, this thirteen-year-old girl demonstrates courage, diligence, and a character we can only hope our own children will emulate.

The dynamic cover of THE EAGLE HUNTRESS caught my eye at the library. Took it home, watched it, and was utterly entranced throughout. I next bought it and sent it to my sister, whose background is in political science, American government, and Asian studies. This documentary would appeal to her, due to her understanding of the social challenges Asian girls endure, its unique story, and the spectacular cinematography. The entire film is a masterpiece of filmmaking achieved under difficult environmental and financial circumstances.

Yes, it’s a documentary, (swallow that derisive yawn), but it’s more exciting and spellbinding than any action feature film I’ve seen in years. Today’s action/ adventure movies are overburdened by graphics. Audiences are becoming inured to the mayhem. Millions are spent on saturating/ bombarding the viewer, and yet none of them—and I’ve seen almost all of them—evoked the excitement of this story. There was no big money backing this work. No options for a second take. A drone, a crane and a few cameras and almost all of it done in one-shot filming. The landscape, action, storyline, all of it, is breath-catching in its beauty, simplicity, and most especially the bravery of a girl who would not give up on her dream.

Societies and cultures are crumbling, values such as honesty and integrity negated and ignored. This film soars above all the unpleasantness of our present failings, the vulgarity, apathy and overindulgence, illustrating the substance of honor and the determination to excel in the face of all opposition.



M.L Rigdon (aka Julia Donner)

Follow on Twitter @RigdonML

Blog: https://historyfanforever.wordpress.com/

Website http://www.MLRigdon.com



Best fun I’ve had in a long time. Love readers and writers!

Judi Lynn

I joined three friends to give a writers’ workshop on marketing and promoting your book yesterday.  It was a beautiful Saturday.  We had a small audience, but that’s never bothered me.  I know and respect some of the writers who came to hear us.  I love and respect my fellow writers on the panel.  A win/win for me.  And then we went to the Outback to eat when the panel was over, and what can I say?  I can be had for a bloomin’ burger.  And the company?  There’s nothing more fun than talking to fellow writers.

All four of us have been writing for a while now.  Kyra Jacobs, the newest and shiniest writer in the group, is probably more savvy than I am at marketing.  I try, but I’m no whiz kid.  The thing that struck me is that we’re all good writers–all in our own way–and it’s…

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Wonder Women


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Confession time. I told a friend I would go with her to see Wonder Woman, fixed a time to go five days after its release, then couldn’t wait. That freaky theme music from Batman v Superman kept screaming inside my head. I love that wild electric cello sound, and anyway, when I like a film, I go see it twice. This one was just as fun the second time around—not an easy feat to keep me impressed twice the second time. The glaring problem of what happened to the German ship unloading soldiers to chase Steve in his downed plane continued to perplex, (probably edited out to save time), but everything else was so much fun, I blew it off. Or as some say, gave it the hand wave. For me, I was more interested in what was done differently.

At Cannes, Jessica Chastain made headlines when she censured the film industry for its treatment of women, consistently presenting women as secondary characters. I’ve always viewed it as keeping women in their place to act as the obligatory adjunct requisite for masculine enhancement. Not so in this flick, boys and girls. The men quickly learned how to follow the female leader, and what I loved was how it made them more, well, manly. Nothing turns any intelligent female off faster than male posturing. Men who have ego issues may get off on it, but women yawn. My favorite bit was when Steve (Chris Pine) hollers out in the middle of a skirmish where a desperate act is needed, “Shield, Diana!” Oye, my heart went pitty-pat, and you’ll have to see the movie to find out what that was all about. And perhaps I’m biased or ga-ga, but I’ve had such high hopes for Pine ever since The Finest Hours. I like the new Star Trek stuff, but he was so splendid as the self-effacing, courageous, and resolutely honorable Coast Guard hero.

Next difference—use of women over forty. Hollywood mogul types may need to sprinkle films (or cram them down our throats) with females meant for male menopause relief, but demographics have changed. When I look around in theaters today, there are often more silver-haired heads than younger generation types. When the Amazon warriors come charging on to the beach, the general in the lead is enough to make hardened soldiers think about a new strategy.

Robin Wright is superb. Nuf said.

Next comes the music portion. Many filmmakers think battering-ram music scores will cover up the fact that they’ve invested in a piece of schlock. I avoid films with rap music and not just because I’m not a fan. If a film requires that kind of loud, in-your-face score to help the pacing and lack of storyline, stay home and buy the music from the film. The only one I recall seeing where that enhanced the action was in the first Terminator. Its pulse-pounding, clanking metal score worked. In this version of Wonder Woman, I was surprised by the symphonic style, which enhanced the film and never distracted. Very clever but my favorite is still that electric cello and crazy drums theme introduced in Batman v Superman, which, to be sensible, could not have been used throughout.

The film is getting tons of good reviews and breaking records. You don’t need another content review. It’s the differences that made Wonder Woman more delightful for me. Maybe somebody in the LA portion of the industry will move beyond their tiny ego-centric mindsets to notice what the public already knows.

We all have favorites . . .

Judi Lynn

Okay, so I’ve probably mentioned before that I love Julia Donner’s Regency romances.  Her newest will be available on May 31st, and I had the pleasure of beta reading it.  Yowza!  If it’s true that a story is as strong as the adversary the author created, then this one’s a winner.  If I could have reached inside the pages and strangled Vincent, I would have.  And an American hero in a Regency romance?  Double points for Max!

Anyway, I liked this book so much, I asked Julia Donner to write a guest blog for today. And since she comes up with such strong characters in her stories, that’s what she chose to write about.  Here, then, is Julia Donner’s advice about creating characters:


If asked, would you know what flavor ice cream your protagonist prefers? Do you care? Is this important? Only if it’s important to you as…

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