WHEN ECCENTRICS COLLIDE

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Now that the end of the year film releases have opened the spigot and flooded theaters, it’s time to hit the cinema. I’m eager to satisfy curiosity and test the offerings—and to make comparisons and observations—so off I trotted to the nearest cinema.

Can You Ever Forgive Me?

I waited a long time for this one. I’ve said it before and will most likely be saying it again, if you can do comedy, you can do anything. Melissa McCarthy is brilliant. Her sympathy for the abrasive, abusive, and broken Lee Israel is utterly absorbing. She made accessible a thoroughly unlikable person and will be a strong award contender and should be a frontrunner for the SAG. Richard Grant is also marvelous. He and McCarthy bring to life the strange and desperate friendship between Israel and Hock.

I’m not sure why this film isn’t doing better at the box office. Perhaps it’s some industry-insider thing, which is shameful. The story is entirely character-driven, which makes some Hollywood exec types crazed, much the same way they used to bash Spielberg when he made “serious” films, which reminds me, HBO and Susan Lacy did a fabulous documentary about Spielberg.

Green Book

Already slated for numerous awards, I mainly went to see Viggo. The man has the ability, as does Olivia Spencer, to communicate reams of information in silence. Those eyes. He killed me with them in History of Violence, and this movie has some comparisons when it comes to violence, understanding and forgiveness. It’s a story about how defensive, and ingrained, prejudice can invert itself, remold to become acceptance and admiration, an outcome unbelievable, except that it did happen. Tony Vallelonga (Viggo Mortensen) and Dr.Don Shirley, (Mahershala Ali) were vastly different men. Tony was raised in a close-knit community that denigrated blacks, and Shirley well-educated and gifted, could barely tolerate Tone’s crassness.

The film title comes from The Negro Motorist Green Book, written by Victor Hugo Green. The screenplay is co-written by Nick Vallelonga, Tony’s son. There has been some backlash from Shirley’s family, who disagree with the eventual relationship between the two men and are of the opinion that Ali does not portray the terror evoked then, and still today, living and traveling in the south for blacks. They have their opinion, but mine is that Shirley, or the storyline, seeks to portray the dignity and courage it took to do that tour. The two men aren’t worlds apart, it’s more like universes. Tony, so violent and gross of manner, is so blessed with love for his family, while Shirley, so gifted and elegant, is estranged from his. Shirley learns to accept and allow himself to see underneath Tony’s persona, a man who accepts who and what he is, adores his family and yet thinks nothing of smashing somebody’s face into a bloody mess. That which horrifies Shirley is just another day on the job for Tony Vallelonga.

Don’t get so involved in the story that you miss the connection made between these two fiercely brilliant actors. It’s the sort of interplay that makes for a SAG award.

I Think We’re Alone Now (DVD)

I’ve adored Peter Dinklage since his portrayal of a scary on-the-edge-of-freaking-out children’s book writer in Elf. And what sort of asshat doesn’t love the wickedly droll Tyrion Lannister?

This dystopian story dissects the emotional fallout of a catastrophic planetary event with none of the disaster/violence theme. Its haunting and quiet until it gets ugly. Character motivation is deep and complex with a few surprising twists. What you think is weird at the beginning is given relevance as the story unfolds. Buy it, rent it, whatever. It’s worth your time and money. I have yet to see My Dinner with Hervé, a story Dinklage wanted told.

Next up, I’m itching  to see The Favourite.

 

M.L Rigdon (aka Julia Donner)

Follow on Twitter @RigdonML

Blog: https://historyfanforever.wordpress.com/

Website http://www.MLRigdon.com

https://www.bookbub.com/authors/julia-donner

https://www.facebook.com/Julia-Donner-697165363688218/timeline

 

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How to Hide a Body

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It’s a pleasure to have the wonderful Judi Lynn visit my blog. When we met (long ago), she was writing mystery, then urban fantasy, then was offered a contract with Kensington to write a series of romances, which she doubted she could do. Hah! For them, and us, she wrote a marvelous series about Mill Pond, peopled by characters so real you wanted them as your forever friends, characters so alive that they made you laugh and cry, allowed you worry about their problems and rejoice in their triumphs. And oye, the food! (Ms. Lynn’s a kitchen goddess after all.)

The Mill Pond series was followed by a request to write cozy mysteries, just what Judi loves. To look at her, one would never think that someone so jolly and generous could think up so many unique ways to murder people. But then, you’ve never seen the bathroom wall she painted with splotches of red paint. And in this new cozy mystery series, she gives us Ansel. (Insert sigh here.) I love Prosper from her urban fantasy works, but her quiet Norseman, oh my… You only have a few days left to wait to meet him and to find out how the corpse ended up in the attic. It’s on presale now!

You can find The Body in the Attic here:  http://www.kensingtonbooks.com/book.aspx/37036

Thank you, M. L. Rover, for inviting me to your blog.  I’m a huge fan of yours, when you write as Julia Donner or as M. L. Rigdon, so it’s an honor being here today.  Thanks for letting me talk about the first mystery I wrote for Lyrical Underground, THE BODY IN THE ATTIC.

  1. Why mysteries?

I fell in love with mysteries when I discovered Agatha Christie in my high school years.  In between reading Jane Austen and English Lit assignments in college, I got hooked on Hercule Poirot and Jane Marple. I liked Sherlock Holmes, but not as much as Nancy Pickard’s Jenny Cain and Carolyn Hart’s Death on Demand series. Those led me to Martha Grimes, Elizabeth George, and many, many others.  In cozy mysteries, the gore is minimal, the characters are part of a tight knit community, and the killers always get their just rewards—one way or another.  Unlike real life, evil doesn’t go unpunished.  And it’s fun to match wits with the detective.  Can you catch the writer’s clues and distinguish them from the red herrings?  It’s like solving a jigsaw puzzle.  Lots of fun.

  1. Why have your heroine be a fixer-upper?

When my husband and I got married, we bought a bungalow that had great bones, but everything in it was too small or dated.  We were young and had no idea how much work it would take to update everything.  When I turned on the faucet in the kitchen and John turned on a faucet in the bathroom to brush his teeth, the water got confused and stopped moving completely.  We had to replace lead pipes with copper ones.  When we invited my family over for supper and put the leaf in our table, we couldn’t open the refrigerator door until we all stood up and moved the table sideways to make room.  Eventually, we ended up adding on to the kitchen, adding a dormer for a second bedroom upstairs, and finishing the basement into a playroom for the kids. Little did we know when we bought the house.  But to this day, we love the place.   We still have a fondness for old houses and go on house walks in old neighborhoods. Not that we’d ever do this again. If we HAD to move for some reason, we’d buy something newer that was move-in ready.  But I wanted Jazzi and her cousin to restore old houses to make them beautiful again.  It hurts me to see a lovely old house that’s neglected.

  1. What do you like to read besides mysteries?

I don’t like to read the same author or even the same kinds of books back to back.  Eventually, I need a change of pace.  So I might read two cozies and then read an urban fantasy. I wrote urban fantasies for a while as Judith Post and discovered Ilona Andrews and Patricia Briggs, among others. Then I might pick up a Regency romance—like you write as Julia Donner—and then a romantic suspense or something bracing like Mark Lawrence’s Jorg series.  I like to mix up the genres I read now and then.

  1. Why are family and cooking so important in your books?

My family is small, but close.  And I love to cook and entertain.  I get bored cooking the same things over and over, so I subscribe to different cooking magazines and buy way too many cookbooks.  My sisters don’t like to cook, so it’s fun to invite them and my cousin over for supper.  They don’t like it if I get too fancy.  They like roasts and Italian sausage sandwiches.  When it gets chilly outside, two of their favorites are chili or beef and noodles.  My friends have more sophisticated palates, and I can experiment more.  I can make bouillabaisse or chowders, Thai noodle salads, and Chicken Seville.   It’s fun, and it keeps me out of trouble.

  1. Is there a romantic interest in your books?

Be still my heart. Ansel Herstad is a contractor who works with Jazzi and her cousin, Jerod.  Jazzi calls him a Norseman.  He grew up on his family’s dairy farm in Wisconsin.  He’s six-five with blond hair and blue eyes and lots and lots of muscles. But he doesn’t realize what a hunk he is.  I wanted to people Jazzi’s world with lots of GOOD men.  My husband worked at a tiny hamburger drive-in all through high school, and to this day, he’s still friends with the guys he worked with.  When one of those men marries a woman, she becomes part of their group.  And after knowing them for years, these guys are the best.  My daughter’s single, and she swears it’s no walk in the park to meet a good guy these days, but they’re out there (probably already taken).  And I wanted them to part of Jazzi’s world.

 

Judi Lynn’s blog:  https://writingmusings.com/

Webpage:  https://www.judithpostswritingmusings.com/

Facebook author page: https://www.facebook.com/JudiLynnwrites/?eid=ARBEkp5jfrUGMBkV9_9i-tpSF_CQs0fg9igDATo5gwcN17HXalHG084-lLxN-mKrXptUaUHZz2EZ_w7X

Goodreads:  https://www.goodreads.com/author/show/5023544.Judith_Post

BookBub:  https://www.bookbub.com/authors/judith-post

 

Thank you Judi Lynn/Judith Post for the interview! And here’s a link to some of her urban fantasy and myth genres:

https://www.amazon.com/Blood-Battles-Fallen-Angels-Book-ebook/dp/B00C3L8BNM/ref=sr_1_4?s=books&ie=UTF8&qid=1542027708&sr=1-4&keywords=Judith+Post

 

Pre-Order The Body In The Attic by Judi Lynn #cozy #mystery

So excited for Judi and will be sharing an interview with her in a few days.

From the Pen of Mae Clair

Happy first day of November! To kick off the month, I’m delighted to welcome friend and sister author, Judi Lynn. We’ve shared the same publisher for many years now. Judi has a new mystery release coming out in November that I’m super excited about and have already pre-ordered. Before I turn things over so she can tell you about it, please be sure to check out her blog. She’s wonderfully supportive of others and shares engaging posts that I know you’ll enjoy. And now….take it away Judi!


I want to thank Mae for inviting me to her blog.  We’re sister authors for Lyrical Press.  I loved her Point Pleasant series and the start of her Hode’s Hill series.  CUSP OF NIGHT has such a great mix of mystery and paranormal, I’m waiting for the second book to come out in January!  My first mystery, THE BODY IN THE ATTIC…

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GOING TO THE DOGS

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But with another kind of inference. If you’re a dog lover, one of the following films is for you—the other, avoid.

So, Alpha. It starts off slow and doesn’t take off until the wolves enter. There are a few content issues that make no sense, holes you could drive the proverbial truck through, but the most glaring is how the men trudge off for days and days to hunt bison. History and logic say that people are nomadic or prefer to live near food sources. At any rate, who would want to trudge miles and miles, get the meat and skins, then schlepp them all the way home for days and days. The visuals are lovely, the costuming, strange. The men’s leather coats looked like WWII bomber jackets. I can suspend reality but that was a bit jarring. The best part was the wolf-bonding thing and the interesting bit where the wolf teaches the boy how to hunt as a team. Wolves do have that down to a science. The best part was the surprise ending that made me tear up. If you love dogs, you’ll like this film, especially if you’re overloaded with vacuous digital mayhem.

Then we come to AXL. What a mess. If I hadn’t planned on doing a “dog” blog thingie, I would have gotten up and walked out. Oye, the stereotyping is criminal. The storyline is idiotic, as if written by a ten-year-old. I take that back. Make it younger. The poor dog robot changes size about ten times and every trite and overused idea that can be crammed into a story is there, including making teens look like idiots. I was young and dumb, but these kids are like the ones in the commercial hiding in a shed with the dangling chainsaws. And I resent that the young protagonist thought it was OK to rip off an ATM just because computer wonder dog AXL programmed it to spew money. My grandson would have immediately reported the problem and turned in the cash. I guess that’s what irked me most, the way teens were trashed, the military to look asinine, and the bad guy of Middle Eastern descent. The only positive about movie is that actors got paid (presumably) and kept their SAG membership active.

In Alpha, there is much to be admired in the young man struggling to survive and get home to his parents. There is much to despise in a film like AXL that insults our youth and audience intelligence. I see the fun in B-type movie genres, but AXL is cruel and unusual.

Sorry this was kind of crabby and I miss my dogs and horses. And have been reading Dorothy Parker poems and quotes.

M.L Rigdon (aka Julia Donner)

Follow on Twitter @RigdonML

Blog: https://historyfanforever.wordpress.com/

Website http://www.MLRigdon.com

https://www.bookbub.com/authors/julia-donner

https://www.facebook.com/Julia-Donner-697165363688218/timeline

PLACES TO GO

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Long ago in a land far away (Wisconsin), I sat in the dark inside my car, early for a night shift on the oncology unit. Looking out the front window, a vision blotted out the screen—a white temple, a robed woman standing in front of it. The image hounded me at work and in the days to come, until I had to write the story crammed inside my head. It roared to life in an unending stream that meant cutting over a hundred thousand words when it was done. That was the beginning of the fantasy trilogy, Seasons of Time.

Prior to this mental invasion, I’d been writing a western romance. That story needed lots of research about Native Americans. Regency requires even more, but with fantasy, the mind flies to faraway realms, unknown and new, strange and freaky wonderful.

Writing “in the zone” is an amazing experience, a bit like deep meditation, but without the placid floating off into peaceful relaxation. Writing it makes me think of what it must be like to smoke weed or peyote, neither of which I can do because of weird reactions to drugs and a wussy fear of getting caught. In the fantasy zone, protags are fearless. They can fly with the dragon-like fflorin, ride chargers that are part horse and reptile, escape from terrhogs—think blind, gigantic worms. Where did I get all this stuff spewing out of my brain? I have no idea. I’ve been asked and can only reply that they are just there, living inside my head, and causing havoc until I write it down, give it voice.

Fantasy also offers the freedom of the omnipotent power of world creation. What if you could make up your own world and go live there, sort of what Sheldon Cooper does on Sheldor? I’m not an antihero fan, so I can kill off the baddies, hurt them any way I want. Talk about your “heady” stuff. One may ask if that isn’t what every writer does in the writing process. Not exactly. Genre writing requires specific parameters. Fantasy has few, other than what its readership expects, and even then it’s pretty loosely defined.

It’s important to take seriously reader requests, so I’ve tacked on more to the Seasons of Time triology and by starting Seasons of War trilogy based in the same world. Oh, the places where my mind has gone. I’d forgotten what it was like to charge into battle and soar with the fflorin.

The first book of the Seasons of Time trilogy is free now and for the next 3 days. Get it here:

https://www.amazon.com/PROPHECY-DENIED-Seasons-Time-Book-ebook/dp/B004S7EQ92/ref=sr_1_4?s=books&ie=UTF8&qid=1535118166&sr=1-4&keywords=m.l.rigdon

M.L Rigdon (aka Julia Donner)

Follow on Twitter @RigdonML

Blog: https://historyfanforever.wordpress.com/

Website http://www.MLRigdon.com

https://www.bookbub.com/authors/julia-donner

https://www.facebook.com/Julia-Donner-697165363688218/timeline

 

 

More Than Friends

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Just finished another exquisite blog post by Rachel R. Roberts, author, playwright, educator, and essayist. Poignacy and nostalgia embue every sentence. There is an elegance to her writing stemming from her personality, as lilting and gentle as her voice. I hear her as I read, the syrup-smooth glide of her southern cadence. The prose is so lyric and grammar always perfect. I can see her blushing as she reads this, her head slightly turned away with modesty that is natural and unaffected. I’ve always admired that in certain women, specifically those who are sincere with that response. I have none of that and often feel like a clod when in the company of Rachel, the epitome of  the gracious, southern lady. Her writing has the same even grace, while layered with so much left unwritten and yet clearly stated. I feel so lucky to hear her comments when she can attend our writing group. She never fails to find a bit of encouragement, is perceptive and kind when it comes to critiquing. Which brings me to the writing group itself, Summit City Scribes, or as we call ourselves, just plain ole Scribes.

The group ranges from ten to twenty members, fluctuating with each bi-monthly meeting. The rules are simple—fifteen minutes to read, the reader is not allowed to comment until after all the members make their remarks, which goes around the table one by one, starting with something complimentary then the opinion, suggestions, or critique.

Members are an eclectic bunch covering a wide variety of genres in fiction and non. It’s heartening for this reader to hear that the work just read held the attention of those having no interest in the genre but that it did hold their interest. If it’s a romance, that’s a big deal to hear from men who write about hiking, or a jounalist, a former cop, or the guy writing a gritty murder mystery. I remember the terror the first time I read to the group almost twenty years ago. Nowadays, I can’t wait to hear what they have to say and often use everything they suggest.

There are so many wonderful writers in this group, and since joining, I’ve found more than encouragement and instruction. The women are clever, bold and goal-oriented. The men are clear-sighted and true gentlemen, which is a lot to be said in this day and age. When my husband passed, Scribes were there, surrounding me like a bastion, determined to hold me up and see me through. They did and have through so many disappointments and set backs, writing and personal. I also scored with another of my favorite writers, my critique partner, Judy Post aka Judi Lynn. She is the fearless leader for Scribes and takes the role seriously, encouraging and touting us like a fierce mother hen. Uh, no. More like a valkyrie. Even though I dread the work involved in rewrites, I get a shiver of excitement when getting back pages from Judy drenched in red ink. She loves to write mystery, so she finds all the plot defects.

I’m including blog sites to illustrate how we differ as writers. I’ve always loved differences, how much there is to glean from another POV. I’ve learned so much from Scribes, wouldn’t have any of the craft or successes without them. Check out their blogs, you’ll see what I mean about how we differ, and because of that, learn, and more importantly, apply.

Rachel S. Roberts

https://www.rachelsroberts.com/blog/naked-ladies

Judith Post/Judi Lynn

https://writingmusings.com/2018/08/04/just-keep-writing/#comments

Kathy Palm

https://findingfaeries.wordpress.com

I’ve added a former Scribes member, Les Edgerton. (Won’t list his credentials  because it goes on for miles.) He has a terrific blog and an amazing new book out.

http://lesedgertononwriting.blogspot.com/2018/08/preordering-available-for-adrenaline.html?spref=tw

So much to learn, so little time.

M.L Rigdon (aka Julia Donner)

Follow on Twitter @RigdonML

Blog: https://historyfanforever.wordpress.com/

Website http://www.MLRigdon.com

https://www.bookbub.com/authors/julia-donner

https://www.facebook.com/Julia-Donner-697165363688218/timeline

 

 

 

New Release: To Jilt a Corinthian by Julia Donner #Regency

Thanks to Mae Claire for doing this. Are writers the best or what!

From the Pen of Mae Clair

Hello, everyone. Please welcome Julia Donner with her newest release, To Jilt a Corinthian. I “met” Julia through Judi Lynn, and it has been a pleasure getting to know her and interact with her. I’m in awe of Julia’s knowledge of the Regency era, and excited about her new release. Naturally, I invited her to my blog to share the blurb and an excerpt 🙂


Hi Mae, and thanks so much for inviting me to your blog and giving a shout out about my newest Regency To Jilt a Corinthian. This character pairing led to one of those fun instances when the story wrote itself. I mostly hung on for the ride as these two took me on their own personal tour into the eternal war between the sexes.

Book cover for To Jilt a Corinthian by Julian Donner shows young blonde woman reading book with her back turned,Blurb:
Beatrice Allardyce is too busy for something as inconsequential as marriage. And love? A waste of time when there…

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It’s my honor…

Judi Lynn

My wonderful friend, who writes Regency romances under the pen name Julia Donner, agreed to visit my blog today.  She and I are critique partners, and my books would have a lot more flaws if her pen ever ran out of red ink.  I had the joy of getting to beta read her new novel, HOW TO JILT A CORINTHIAN, and found out what a fickle female I truly am.  Up until this book, I was madly devoted to Lord Peregrine Asterly from The Heiress and the Spy.  My husband knows how I felt about Perry and doesn’t get his hackles up about book boyfriends😊  But I hate to admit, that once I read about Joss, I had to move him to number one on my pretend lust list.  Sigh.  What can I say?  I’m not easily swayed, but Joss’ wit and humor nailed him first place.  So…

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PUT OUT THE DAMN LIGHT

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Judi Lynn/Judith Post recently wrote a blog about ten steps to make your mystery better and started off with “kill somebody.” I can’t think of any opener to top that, so will just start off with the things I look for and try to incorporate in historical fiction to make it believable and immediate. Because that’s the point, isn’t it? To immerse the reader in a world that has been before.

Character/s

How often do we see the same man or woman over and over in a story and nothing changes but their eye and hair color? In reality, people don’t look the same, even when they look sort of the same. People are unique. So should characters be. It’s best if they possess the kind of personality you’re drawn to, but perhaps you prefer the challenge of finding a way to make a somewhat off-putting man or woman sympathetic to the reader. But an initial connection must be made from the get-go and that’s kind of difficult if they have the charisma of yesterday’s pancake.

The Four Es of Character Building

Entice, entrigue, engage, and excite. This doesn’t mean making them attractive. It means making them accessible. They should have traits and personalities similar to the human conditions that haven’t changed over the ages. We all have baggage. Give them reasons for reacting the way they do when “showing” their responses, instead of just “telling” or explaining them on the page. Lets’ just get over it. We’re products of our environments until we do something about it. Give your protags some emotional warts so you can show how they’ve grown (removed) them by the end of the book.

Mary Balogh’s more recent regency works are peopled by the challenged. Her characters have been blind, lame, deaf, suffering from disabling war wounds, including PTSD. The ubiquitous fiesty heroines and sardonic men have become tedious, which is why Balogh is considered the comemporary queen of historical regency. Her people have the problems, joys, and triumphs we understand and seek, or find lacking in our own lives. They have some amazing emotional warts to overcome.

The Three Cs

Complication, conflict, conclusion. You better have all of these nailed. Throw in some juicy subplots while you’re at it to pick up the pacing and tension. If dried up of ideas on how to inflict misery on your beloved protags, there’s always a nasty or annoying family member. We’ve all got one.

Situations

An opening incident that involves one or both of your main characters must suck us into the storyline, establish the time period, or atmosphere, and most importantly, get the reader invested in the primary charatcers.

More and more we’re seeing historical stories striving to tweak genre themes to fit into a niche market or category. In doing so, the story can become secondary to the magic of creating a period piece or just a dang good story. The deliciousness of sinking into the past can get lost from its primary goal by forcing conformity to a parameter. It’s vitally important to keep the time period immediate, to bring the reader into that world, become saturated by the surroundings. In other words, don’t lose sight of the magic of the site, the joy of being there.

Know your history

 OK, so I have a pet peeve about blatant incongruity, like women in corsets doing impossbile physical feats while wearing what should be more accurately called a torso vice made of whalebone or metal slats. It’s impossible to lounge, leap over small buildings, or mount a horse via stirrup without creating a puncture wound. Regency versions (stays) were not quite as viscious as the later, Victorian versions.

Incorporating the etiquette of the time period makes it real, the necessary realities. Calling cards were vital social accourtrement and came with a precise set of rules. A card corner turned down meant the card was delivered personally. It was the most convenient way for both parties to find out whether or not your company was welcomed, or more kindly told to get lost, when there is no reply to the card.

Men went up stairs before women for many reasons but most often to spare them the display of their ankles. Then there’s my always favorite, wait for it…clear vision in rooms where no candle or lamp is ever lit or extinguished.

Even though strict rules were ingrained, behaviors/actions considered not done often were during the regency where gossip had lethal results. A great deal was written about people like Lady Caroline Lamb (flagrant adultery), Brummell (viciously insulted his prince), Lord Byron (too raunchy to list), and Jane Austen (dared to write and evetually use her real name) to list a few. When the Victorian Age descended, the not done stuff still happened, it just got shoved underground.

So many rules, so little time.

If you would like to read Judi Lynn’s excellent advice, here is the link to her blog:

https://writingmusings.com/2018/05/22/10-steps-for-writing-a-mystery/

M.L Rigdon (aka Julia Donner)

Follow on Twitter @RigdonML

Website http://www.MLRigdon.com

https://www.bookbub.com/authors/julia-donner

https://www.facebook.com/Julia-Donner-697165363688218/timeline

 

 

Overboard Redux Surprise

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Was having a totally yuck day last week. Had to slap myself upside the head and do something about it. That meant getting out of the rut, the house, my bad attitude and going to a movie. The original Overboard with Goldie Hawn and Kurt Russell is one of my all-time favorites. I didn’t expect much out of the new version but never averse to seeing anything that includes Swoozie Kurtz in the cast. She was her usual brilliant self. She can glide though a comic scene with an easy slickness that makes it look so simple, and believe me, comedy never is.

Anna Faris also has a comfortable manner with comedy. I nurtured some reservations about Eugenio Derbez but was pleasantly astonished. He pulled off the revolting rich guy with greasy sleaze. Goldie cannot be disliked, even when a la bitch. There is just something too loveable about her, but Derbez was so off-putting as the spoiled playboy that I doubted he could turn it around, but oh, the relief, when he did.

The thing about comedy is playing it for real. Jerry Lewis was one of the few who could pull off the slapstick nebbish character. Derbez might be able to do it also, because his investment in his supposed children came across as genuine, his grief at leaving them quite touching and tastefully brief. Some of the best comedy manipulates painful contrasts.

On a side note, it would be wonderful if we could change so drastically, which is the premise illustrated in this film. The idea intrigues, especially after the pointed comment is made that it is a rare thing to be offered two chances in life to become different people and learn from the experience. Quite the thought-provoking message.

There were some pleasing differences in the script, some well done reconfigurations not usually found in updated versions/remakes. These twists were worked into the script with ease. The movie had a number of LOL moments and an endearing charm. It held my interest throughout, which is saying a lot, considering my crabby mood. Professional healthcare workers will find faults with some of the nursing portions, which I won’t go into here, and only know from day jobs in that business/vocation for over thirty years.

If asked, I would give this version of Overboard four stars. It accomplished its purpose and got me out of a BA funk. It’s fun if you’re looking for a distraction and a laugh, but what really helped to endure the crappy mood was an Aussie drama series called A Place to Call Home. Huge mistake—yet beneficially soporific—because it sucked me into Netflix bingeland where all blue funks are repressed to nonexistence. To be fair, there is a warning in the blurb that the series is addictive. (Right. That’s like calling meth an aperitif for fentanyl.) Then because I’m an anglophile I’m also in love with Australia by extension. That love affair started when I discovered Nevil Shute’s books, especially A Town Like Alice, aka, Alice Springs.

Some lines in movies and books are never forgotten, like Hedy Lamar’s come-hither “I am Tondaleya” (phonetically, of course, cuz who the hell knows how it’s spelled, but somebody out there in cyberland will tell me), and the ever fabulous “Here’s lookin’ at you, kid.” A miniseries version of A Town Like Alice set me up for Aussie admiration with a memorable line loaded with clever irony. Setting, WW II tropical. Picture actor Brian Brown, tanned back exposed, nailed to a wall prior to being whipped for raiding a young Japanese commandant’s hen house to feed starving friends. Brown is asked if he wants anything before punishment is dealt, and Brown, defiant and snarky answers that he’ll have a cold beer and a chicken. And that’s how the Aussies roll.

OK, now I’ve digressed to the point of the entire theme disintegrating. To conclude, I liked the Overboard redo, and if you like Australia and don’t have a lot of time on your hands nor a reasonable amount of self-discipline, do not start A Place to call Home. And watching movie and series, I did get rid of my bad attitude.

Hope you have a great Memorial Day.

M.L Rigdon (aka Julia Donner)

Follow on Twitter @RigdonML

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